DYNAMICS OF AFRICAN FEMINISM (THE): DEFINING AND CLASSIFYING AFRICAN FEMINIST LITERATURES (COMING SOON)

By: Susan Arndt

ISBN: 0865438986

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There is hardly a debate that is more controversial than the African discourse on feminism. Anti-feminist positions are widespread in Africa. On the one hand, there are those who reject feminist ideas fundamentally. Most of their arguments do injustice to the heterogeneity of feminism and do not really threaten the existence of feminism in Africa. On the other hand, there are the critical positions of those who sympathize with feminist ideas, but do not feel at home with Western feminism. Their central reproach is that feminism does not see beyond Western societies, and hence ignores or marginalizes the specific problems of African women. Some radical and Marxist feminists are an exception to the rule. They, however, thus the reproach, go to the opposite extreme by presuming to be able to speak in the name of all women, without, however, having really informed themselves about the situation and the problems of women in other parts of the world. As a consequence, they base their assessment of the situation and the emancipatory ideas of African women and womens movements on their own views and experiences.

In her book, Susan Arndt enters this important debate by attempting to discuss and define the nature of African feminism and African-feminist literatures. Taking into account African-feminist literatures heterogeneity as well, she uses a classification model to discuss and group it. Arndt distinguishes three main currents of feminism: reformist, transformative and radical African-feminist literatures. The workability of this classification model is put to the test, illustrated, and exemplified with interpretations of selected African-feminist prose texts by African women writers of different regional, religious and generational backgrounds: Grace Ogot, Ifeoma Okoye, Flora Nwapa, Akachi Adimora-Ezeigbo, Mariama Bâ, Buchi Emecheta, Bessie Head, Pat Ngurukie, Nawal El Saadawi and Calixthe Beyala.